I was just five years old
when grandma died.
She had kept company for me
in thousand and one nights.
My own Shahrezad,
who prepared for me
that magic carpet,
who took me in my dreams
to my prince's palace
along the starlit, skiey streets
of seven-colored rain bows,
who kept treasures in store
for me in secret chambers
guarded by geniis,
who found my place on
jewel-bedecked thrones
before mermaids dancing
under night's sapphire blue lights
in lands of deep seas,
who teased them not to envy
her little princess.
My son was of the same age
when my ma died,
she had already given him
Aladin and Zindbad as companions.
'Don't you caste your evil eyes
on my Badarul Muneer' ; she forbade
those maids in the magic castle
with a spell-knot.
Now, as I lay smelling
fresh earth of my eternal roof
not angels, but grandma questions me:
my child, all those tales I gave you
have been wasted!
In my ears I hear
sobs of my son's unborn kids:
Ummumma, you didn't give us those
tales!
xxxxxxx
(Embedded in the poem is the Islamic myth that newly buried would, immediately after the ritual burial is complete, be questioned by two angels about his/ her firmness in faith and the way he/ she answers would determine the nature of after-life. Badarul Muneer is the stunningly handsome protagonist in an epic poem written by the great poet Moyin Kutty Vaidyar (1852-1892), in a tradition which greatly shares the Persian and Arabian sagas. 'Ummumma' is the endearing way of the younger generation to refer to 'grand mother'.)
xxxxxxx
(Embedded in the poem is the Islamic myth that newly buried would, immediately after the ritual burial is complete, be questioned by two angels about his/ her firmness in faith and the way he/ she answers would determine the nature of after-life. Badarul Muneer is the stunningly handsome protagonist in an epic poem written by the great poet Moyin Kutty Vaidyar (1852-1892), in a tradition which greatly shares the Persian and Arabian sagas. 'Ummumma' is the endearing way of the younger generation to refer to 'grand mother'.)
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